At the lesser window, she props her chin against the sill.
The old wood is prickly against her skin, and she fears splinters. She can feel
the phantom shatters of cedar under her jaw. But a bend creeps up her chapped,
changed lips anyway.
The lilies are waking up, surprisingly hearty and waxy
flowers, even as the rosy daisies falter and the Queen Anne’s Lace is robbed of
its posture. She will press the petals soon and keep them forever. She will
keep them in the cardboard, so that the beetles cannot eat them. They would
devour them if they knew they existed. They would not rest, as they do now, in
the closet.
She almost thinks they have been drugged. They sleep that
deep, unnatural sleep of coma patients and very, very old women. Their bodies
move imperceptibly, but every once in a while, one stirs in its slumber and the
girl sighs in a combination of relief and anger. They are alive, but far away
from her.
In the field outside, it is raining. The sun does not cast its
maddening shadows, and does not spin the silhouettes. But she is in a state of
accidental ignorance, and didn’t even notice, even as a figure moves through
the skunk cabbage and sinks into the wet of the field. She does not notice as
it approaches the house. She is at the lesser window, with her chin propped up
against the sill.
Earlier she sat, with her knees draw up to her sickly happy
sternum, and traced the new footprints, which the beetles haven’t found yet,
with her index and middle fingers. She sought them out in the planks of wood
painted sage, and found them easily enough.
The lights stray onto the porch now and the key turns in the
ignition and the vehicle makes a high keening sound. The girl fights against
her reflection in the glass, trying to see out, trying to make out details in
the dark and the rain. But all she can see is the lights, and the light of a
better day.
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